About

With a life-long obsession for all things film and TV, Allston is the Olive Branch Review's newest and coolest media critic.


Published Posts:
4
Total Post Views:
2397
Comments on Posts:
1 Comments
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Top Posts


Echoes of a Fading Dream: “The Deer Hunter” in American Consciousness

Posted on April 9, 2024
Viewed 929 times

Shadows in the Godfather Saga: Exploring the Ignored Story of Mama Corleone

Posted on January 2, 2024
Viewed 804 times

The Rose Tinted Mirage of Nostalgia

Posted on January 3, 2024
Viewed 361 times

Living with Silent Screens

Posted on January 5, 2024
Viewed 303 times

Newest Posts


Echoes of a Fading Dream: “The Deer Hunter” in American Consciousness

Allston Alexander's piece offers an exploration of 'The Deer Hunter,' delving into its depiction of post-Vietnam America, the shift from industrial to service economies, and the enduring impacts of war on mental health and community. It reflects on the film's critique of the American Dream, highlighting its relevance in understanding societal shifts and challenges.

from April 9, 2024


Living with Silent Screens

Allston Alexander delves into the current state of the television industry, highlighting a unique and unsettling quietness that pervades the landscape. He notes that, contrary to a lack of content, there is a vast array of options available for viewers. However, what's missing is the buzz and excitement in cultural conversations that previously surrounded new TV shows. Alexander recalls times when discussions about television were lively and engaging, a stark contrast to the current subdued environment.

from January 5, 2024


The Rose Tinted Mirage of Nostalgia

Allston Alexander examines nostalgia's impact on media, cautioning that while it offers comfort, it can stifle creativity and innovation, particularly in film, TV, and music industries.

from January 3, 2024


Shadows in the Godfather Saga: Exploring the Ignored Story of Mama Corleone

Allston Alexander critiques "The Godfather" for its narrative neglect of Mrs. Corleone, arguing that her sidelined role diminishes the film's portrayal of Italian-American culture and reflects broader issues of gender representation in cinema.

from January 2, 2024


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