About

Emma is a multidisciplinary artist, writer, and curator who believes that art is for everyone, whether expressed through traditional forms or in everyday activities. With a foundation in dance from the Ballet Theater of Maryland and the University of Maryland, Emma explores how art can transcend professional barriers, fostering joint ownership and participatory experiences that blur the lines between performer and audience.
Emma employs ethnographic perspectives to investigate how performance and time-based art reflect and shape cultural identities, advocating for greater inclusivity in art valuation. Her curatorial work centers on immersive, community-driven projects, such as "Ambient Sounds and Lush Acoustics," a communal audiovisual exhibition and “Midsummer Midwinter,” where participants actively co-created and performed. Emma is developing a novel that uses performance techniques to investigate how memory is created and recreated in the mind. She also founded 24hr Neon Mag, a platform designed to give emerging writers access to publication opportunities. Emma integrates research and constraint-based writing techniques, influenced by the Oulipian movement, to challenge conventional forms of storytelling and art-making.
Whether through writing, curation, or performance, Emma seeks to expand the accessibility of the arts, using non-traditional spaces and participatory practices to create environments where audiences are not just observers but active collaborators in the creative process. Currently she is developing a new exhibition project, "BYO-Museum,"  which invites community members to contribute their own art, reflecting a dynamic, evolving gallery shaped by the participants themselves.


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Elizabeth Catlett: A Solo Show but not an Isolated Show

Posted on January 9, 2025
Viewed 465 times

“Orlando” Reflection

Posted on September 8, 2024
Viewed 213 times

“Illinoise” at the Park Avenue Armory Review

Posted on September 8, 2024
Viewed 189 times

“An-My Le: Between Two Rivers” Exhibition Reflection

Posted on September 8, 2024
Viewed 156 times

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Elizabeth Catlett: A Solo Show but not an Isolated Show

The exhibition, Elizabeth Catlett: A Black Revolutionary at the Brooklyn Museum is a solo show, but it does not isolate the artist. Or perhaps Catlett’s work itself rejects isolation.

from January 9, 2025


“Orlando” Reflection

To focus on transformation, as this play so clearly does, is to reject the classification and rigid boundaries of any particular form. And here also is where “Orlando” shines, making a comedy from a drama, existing in all times at once while still progressing through time, making the crew’s cleaning materials into stage props, and making the audience into part of the show.

from September 8, 2024


“Illinoise” at the Park Avenue Armory Review

When considering where it fits into performance and critique, it most draws comparisons to Beyonce's “Lemonade” or even the Talking Heads “Stop Making Sense” before it could be compared to a more “traditional” musical theater adaptation of a musician's discography (in example “Girl from the North Country”).

from September 8, 2024


“An-My Le: Between Two Rivers” Exhibition Reflection

Each image shows the viewer scenes of the American military, and as the description in the MoMA’s gallery dedicated to her work indicates, it is a point of view on the peacetime activities of the armed forces as they move through the world. The tranquility is misleading, but not so much as to hide a further underlying commentary on the repetitive nature of war and how it shapes identity, whether personal or national.

from September 8, 2024


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