Jake Gilmore breaks down some hot new songs. Please go stream “Becoming a Stranger” by Go Public, “Indu” by Greg Freeman, and “Breaking Atoms” by Chuck Strangers featuring billy woods and Zeroh. Support under-appreciated artists!
Three for the Week – July 24 Read More »
The image of love as the touching of souls is borrowed from the German poet Rainer Maria Rilke, which Mitchell has acknowledged. What Mitchell does with the borrowing is the interesting part. She does not just quote the idea. She takes the idea and turns it back on the lover. You said love was touching souls, she says. Fine. Then you touched mine. The proof is that I am writing this song. The proof is that part of you is pouring out of me right now, into these very lines.
A Map of Canada: On Joni Mitchell’s “A Case of You” Read More »
What strikes me most about “Agnes” is how it completely strips away the clever wordplay and quirky character studies that define most of Glass Animals’ work. Instead, we get Dave Bayley at his most vulnerable, processing the suicide of a close friend through music. The result is something rare in modern indie music: genuine, unfiltered
Agnes (Glass Animals) – A Brief Retrospective Read More »
When I stumbled upon one of the previous Inspiration Station’s pick, Frank Ocean’s “Pink + White,” I was quickly intrigued. But I’ll admit, I couldn’t help but chuckle at our Head of Media’s reference to the TV series “Shameless” as the song’s introduction point. As someone with let’s say…a complicated relationship with that show, to
Let’s Shamelessly Talk About Pink+White Read More »
As you sit in a dimly lit room, headphones on, the opening notes of Radical Face’s “Always Gold” envelop you. The acoustic guitar and Ben Cooper’s haunting voice weave a poignant tale of two brothers. “We were tight knit boys,” he sings, each word heavy with emotion. The song’s simplicity, nostalgic lyrics, and powerful chorus resonate deeply, reminding you of enduring love and unbreakable bonds.
Samson Rockwood Reviews Some Music Read More »
Picture this: America, the land of the free and the home of the brave, caught in a maelstrom of cultural and political upheaval. From the corridors of power to the cornfields of the heartland, it seems the very soul of our nation is being torn asunder by the forces of division and discord. And what,
Why Did We Have to Kill the Rock Opera? Read More »
In his latest review, Jake Gilmore ponders The Olive Branch Review’s recent trend of featuring actors’ musical endeavors as Songs of the Month. While he finds Michael Cera’s “Clay Pigeons” charming and clever, Gilmore suggests that the publication should focus more on up-and-coming musicians. He passionately recommends Rachel Chinouriri’s “My Blood” as a brilliant example of raw, unapologetic artistry. Nevertheless, Gilmore commends The Olive Branch Review for its new “Song Recommendation” feature, which allows readers to discover and celebrate diverse musical voices.
Clay Pigeons and My Blood: The Official/Unofficial May Song Review Read More »
In “Chateau (Feel Alright),” Jake Gilmore crafts an immersive sonic realm, blending tender vocal whispers with soaring psychedelia. His music, a lush garden of dreamy guitars and warm synths, invites deep introspection and emotional journeying. Gilmore emerges as a visionary, weaving narratives that transcend mere songwriting, offering a transcendent experience that blurs the lines between dreams and reality.
Reviewing the April Song of the Month Read More »
“Red Wine Supernova” by Chappell Roan is a spellbinding track that merges pop with ethereal tones, showcasing Roan’s unique voice and storytelling prowess. With its vivid imagery and emotional depth, the song navigates themes of love, identity, and liberation. Roan’s artistry shines, making “Red Wine Supernova” a standout piece that bridges musical traditions and captures the essence of contemporary pop with a deeply personal touch.
Reviewing the Song of the Month: Red Wine Supernova Read More »
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