My Favorite Shot in The Phoenician Scheme
A short discussion on the filmmaking style of Wes Anderson and some thoughts on his latest film, The Phoenician Scheme.
My Favorite Shot in The Phoenician Scheme Read More »
A short discussion on the filmmaking style of Wes Anderson and some thoughts on his latest film, The Phoenician Scheme.
My Favorite Shot in The Phoenician Scheme Read More »
A review of the 2023 film, Fresh Kills
Not The Godmother: Fresh Kills Read More »
“Monk is a frustrated novelist who’s fed up with the establishment that profits from Black entertainment that relies on tired and offensive tropes. To prove his point, he uses a pen name to write an outlandish Black book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.”
American Fiction: A Tale of Two Films Read More »
A (too passionate) discussion on irony and Road House (1989)
Dare To Be Unironic: Road House Read More »
A conversation on the uncertainty of the ending of the 1992 film, A League of Their Own.
Let’s Talk About The Ball: A League of Their Own Read More »
“The Iron Claw” was one of the most highly anticipated biopics, expected to deliver a compelling homage to the Von Erich wrestling dynasty—a family whose triumphs and tragedies have left an indelible mark on professional wrestling. However, despite its rich source material, the film falls short of expectations. Director Sean Durkin’s interpretation of this inherently
Iron Claw: The Dark Side of the Movie Theater Read More »
A review of the 2000 Coen brothers film, O Brother Where Art Thou?
O’ Brother Where Art Thou?: A Uniquely Southern Odyssey Read More »
From the very first frame, Lanthimos’ masterful exploration of the “sins of the father” theme grips the audience, transcending a simple cautionary tale to delve deep into the intricate tapestry of guilt, responsibility, and the far-reaching ripple effects of our actions. “The Killing of a Sacred Deer” unfolds with a haunting precision, revealing Steven’s past
The Killing of a Sacred Deer: a Film Review Read More »
Anthony Villacosta delves into “The Grand Budapest Hotel,” exploring its narrative rebellion and aesthetic defiance against a backdrop of cultural homogenization. Through vivid analysis, Villacosta reveals how Wes Anderson’s film is a manifesto for beauty, complexity, and the enduring power of storytelling in challenging the status quo. A must-read for cinephiles and rebels alike.
Rebellion in Technicolor Read More »
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