Offer your take on the latest movies and classic films.
With the horror genre as the ideal narrative vehicle, director Jane Schoenbrun brilliantly explores gender dysphoria and its relationship to the dread associated with awareness of one’s own mortality. The protagonist feels it, and you certainly will too.
Dysphoria and Dread: I Saw the TV Glow Review Read More »
Author’s note – I wrote this piece as a satirical homage to a conversation that I had with my brother last night that I found to be particularly comical. The fact that “Porky’s”, a film that I remember watching with him in 1981 with minimal fanfare, was the hill that he wanted to die on
I’m In Need of a Good Porking (a satirical piece) Read More »
A review of the 2023 film, Fresh Kills
Not The Godmother: Fresh Kills Read More »
“Monk is a frustrated novelist who’s fed up with the establishment that profits from Black entertainment that relies on tired and offensive tropes. To prove his point, he uses a pen name to write an outlandish Black book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.”
American Fiction: A Tale of Two Films Read More »
A (too passionate) discussion on irony and Road House (1989)
Dare To Be Unironic: Road House Read More »
A conversation on the uncertainty of the ending of the 1992 film, A League of Their Own.
Let’s Talk About The Ball: A League of Their Own Read More »
“The Iron Claw” was one of the most highly anticipated biopics, expected to deliver a compelling homage to the Von Erich wrestling dynasty—a family whose triumphs and tragedies have left an indelible mark on professional wrestling. However, despite its rich source material, the film falls short of expectations. Director Sean Durkin’s interpretation of this inherently
Iron Claw: The Dark Side of the Movie Theater Read More »
A review of the 2000 Coen brothers film, O Brother Where Art Thou?
O’ Brother Where Art Thou?: A Uniquely Southern Odyssey Read More »
From the very first frame, Lanthimos’ masterful exploration of the “sins of the father” theme grips the audience, transcending a simple cautionary tale to delve deep into the intricate tapestry of guilt, responsibility, and the far-reaching ripple effects of our actions. “The Killing of a Sacred Deer” unfolds with a haunting precision, revealing Steven’s past
The Killing of a Sacred Deer: a Film Review Read More »
There’s something undeniably captivating about movie trailers. I know, it might seem odd to profess a love for what essentially amounts to a two-minute advertisement, but hear me out. In the same way that a well-crafted *Fruit Loops* commercial can make you crave a bowl of colorful cereal, a skillfully edited trailer can pique your
Reviewing the “Soft & Quiet” Trailer Read More »
Alright get this: a die-hard Sopranos fan, born and raised in the heart of Jersey, counting down the days until The Many Saints of Newark hit the screens, right? I’m talking about yours truly. See, I’ve been living and breathing these characters for years, and the thought of diving into their backstories had me more
The Many Clowns of Newark Read More »
Anthony Villacosta delves into “The Grand Budapest Hotel,” exploring its narrative rebellion and aesthetic defiance against a backdrop of cultural homogenization. Through vivid analysis, Villacosta reveals how Wes Anderson’s film is a manifesto for beauty, complexity, and the enduring power of storytelling in challenging the status quo. A must-read for cinephiles and rebels alike.
Rebellion in Technicolor Read More »
In “Navigating the Unfulfilled Roads of ‘Drive Away Dolls,'” R. Joseph Acosta delves into Ethan Coen’s latest film, highlighting its pacing issues, underdeveloped characters, and insincere arthouse aesthetics. Despite a promising cast and premise, Acosta finds the film feels like a first draft, with a rushed conclusion that leaves much to be desired in this road trip comedy.
Navigating the Unfulfilled Roads of ‘Drive Away Dolls Read More »
R. Joseph Acosta delves into the profound impact of Vittorio De Sica’s ‘Bicycle Thieves’ on cinematic storytelling. It highlights De Sica’s innovative technique of delaying character and object introductions, creating suspense and deepening audience engagement. The film’s opening and closing sequences are examined as reflections of the human condition, emphasizing the themes of struggle, vulnerability, and resilience. This review celebrates ‘Bicycle Thieves’ as a cornerstone of neorealism, shaping modern filmmaking with its authentic portrayal of life and societal challenges.
Bicycle Thieves: A Retrospective Read More »
Allston Alexander critiques “The Godfather” for its narrative neglect of Mrs. Corleone, arguing that her sidelined role diminishes the film’s portrayal of Italian-American culture and reflects broader issues of gender representation in cinema.
Shadows in the Godfather Saga: Exploring the Ignored Story of Mama Corleone Read More »
You must be logged in to post a comment.