Reviews

Critique experiences, media, products, and more with your detailed evaluations.

A Map of Canada: On Joni Mitchell’s “A Case of You”

The image of love as the touching of souls is borrowed from the German poet Rainer Maria Rilke, which Mitchell has acknowledged. What Mitchell does with the borrowing is the interesting part. She does not just quote the idea. She takes the idea and turns it back on the lover. You said love was touching souls, she says. Fine. Then you touched mine. The proof is that I am writing this song. The proof is that part of you is pouring out of me right now, into these very lines.

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The Wish and the Cost: A Critical Look at Obsession

Curry Barker’s Obsession arrived in American theaters on May 15, 2026, carrying the kind of pre-release expectation that usually crushes small horror films. It came out of TIFF’s Midnight Madness block the previous September with strong word of mouth, sold to Focus Features for a reported fifteen million dollars after being made for about one

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The Medicine We Need: An Introspective on “Common Side Effects” and the Ache of Impossible Cures

I keep thinking about that pigeon. In the opening moments of “Common Side Effects,” Marshall Cuso, this wild-haired, perpetually shirtless mushroom enthusiast, kills a pigeon to prove a point to his old high school friend. Not out of cruelty, but to demonstrate something impossible: he brings it back to life with a sprinkle of blue

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Agnes (Glass Animals) – A Brief Retrospective

What strikes me most about “Agnes” is how it completely strips away the clever wordplay and quirky character studies that define most of Glass Animals’ work. Instead, we get Dave Bayley at his most vulnerable, processing the suicide of a close friend through music. The result is something rare in modern indie music: genuine, unfiltered

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Flash Essay – What The Hell Was “Homeland”?

In the troubled and often flatout bizarre landscape of post-9/11 television, “Homeland” stands out as perhaps one of the most egregious example of how more traditional, if not antiquated, understandings of white feminist narratives can be weaponized to perpetuate and justify islamophobic violence. The series, which ran from 2011 to 2020, masqueraded as a sophisticated

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Earth Bones: Poetry Book Review

There is an artful delicacy with which the author, Richard Taylor, brings me as a reader of his book, into his rural world. A place where the priority of caring and the acceptance of an inoculate fate of frailty and mortality are inherent in being alive. I found myself sprawled on my bed, in the mid-afternoon sunlight spilling through the large windows of my pine encased bedroom with my one-eyed cat, reading aloud the typed lines on these aesthetically thought-provoking pages as Debussy played on an LP in another room.

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“Orlando” Reflection

To focus on transformation, as this play so clearly does, is to reject the classification and rigid boundaries of any particular form. And here also is where “Orlando” shines, making a comedy from a drama, existing in all times at once while still progressing through time, making the crew’s cleaning materials into stage props, and making the audience into part of the show.

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“An-My Le: Between Two Rivers” Exhibition Reflection

Each image shows the viewer scenes of the American military, and as the description in the MoMA’s gallery dedicated to her work indicates, it is a point of view on the peacetime activities of the armed forces as they move through the world. The tranquility is misleading, but not so much as to hide a further underlying commentary on the repetitive nature of war and how it shapes identity, whether personal or national.

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Modest Mouse’s “Ocean Breathes Salty”

In the realm of music videos, few capture the intricate dance between nostalgia and foreboding as poignantly as Modest Mouse’s “Ocean Breathes Salty.” Directed with a delicate touch, the video weaves a narrative that feels both intimately personal and universally relatable. It invites viewers into a world where childhood innocence meets the stark reality of

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Iron Claw: The Dark Side of the Movie Theater

“The Iron Claw” was one of the most highly anticipated biopics, expected to deliver a compelling homage to the Von Erich wrestling dynasty—a family whose triumphs and tragedies have left an indelible mark on professional wrestling. However, despite its rich source material, the film falls short of expectations. Director Sean Durkin’s interpretation of this inherently

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Samson Rockwood Reviews Some Music

As you sit in a dimly lit room, headphones on, the opening notes of Radical Face’s “Always Gold” envelop you. The acoustic guitar and Ben Cooper’s haunting voice weave a poignant tale of two brothers. “We were tight knit boys,” he sings, each word heavy with emotion. The song’s simplicity, nostalgic lyrics, and powerful chorus resonate deeply, reminding you of enduring love and unbreakable bonds.

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The Killing of a Sacred Deer: a Film Review

From the very first frame, Lanthimos’ masterful exploration of the “sins of the father” theme grips the audience, transcending a simple cautionary tale to delve deep into the intricate tapestry of guilt, responsibility, and the far-reaching ripple effects of our actions. “The Killing of a Sacred Deer” unfolds with a haunting precision, revealing Steven’s past

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Cassia

She lay trembling on the cold stone floor of her dark cell. Mold and sewage, thick in the air but, the stench had long ceased to bring her discomfort. Her body was riddled with open sores in tender places, where the pain would be escalated. Chosen specifically to create as much pain as possible, so

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Clay Pigeons and My Blood: The Official/Unofficial May Song Review

In his latest review, Jake Gilmore ponders The Olive Branch Review’s recent trend of featuring actors’ musical endeavors as Songs of the Month. While he finds Michael Cera’s “Clay Pigeons” charming and clever, Gilmore suggests that the publication should focus more on up-and-coming musicians. He passionately recommends Rachel Chinouriri’s “My Blood” as a brilliant example of raw, unapologetic artistry. Nevertheless, Gilmore commends The Olive Branch Review for its new “Song Recommendation” feature, which allows readers to discover and celebrate diverse musical voices.

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Rebellion in Technicolor

Anthony Villacosta delves into “The Grand Budapest Hotel,” exploring its narrative rebellion and aesthetic defiance against a backdrop of cultural homogenization. Through vivid analysis, Villacosta reveals how Wes Anderson’s film is a manifesto for beauty, complexity, and the enduring power of storytelling in challenging the status quo. A must-read for cinephiles and rebels alike.

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Reviewing the April Song of the Month

In “Chateau (Feel Alright),” Jake Gilmore crafts an immersive sonic realm, blending tender vocal whispers with soaring psychedelia. His music, a lush garden of dreamy guitars and warm synths, invites deep introspection and emotional journeying. Gilmore emerges as a visionary, weaving narratives that transcend mere songwriting, offering a transcendent experience that blurs the lines between dreams and reality.

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The Vampire Bride

I leave dirty footprints as I mount the steps. My gown’s train makes a shush-shush noise as it drags across the porch. The knob turns easily. I open the door, comforted by the familiar creak, and step inside. The foyer is dark, the hallway beyond lit only by a few candles burning dimly in their sconces. I trail my hand along the wall for purchase as I make my way upstairs to our bedroom. The grandfather clock in the parlor chimes midnight as I reach the threshold. I think I hear a muffled giggle, a low murmur, but my ears must be playing tricks. I smile and step inside, ready to embrace my lover.

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Even a Worm will Turn

The church had always been her safe place. With its hard wooden pulpits with their picked-at splinters that the bored churchgoer works at, and the common man agonizes over when they nick him. Colored light cascaded through the stained glass windows warming the pews to a comfortable temperature in the chilly early morning but was avoided by all but the chronically cold on the hotter days.  Something had changed in the past few months, however; the pews had more splinters that always seemed to find her legs no matter how she searched for them before sitting. The doors always hit her when she left and the candles never lit fast enough for the other patrons waiting in line. Their scowls followed her back down the aisle to her seat in the back, as she was now never early enough to get her usual seat up front.

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5:01

Arnaud Chien collapsed on the floor of the bathroom stall. The hot tear burned around the edges of his eyes as he felt the hot iron rod twist deeper and deeper into his abdomen. He tried his best to breath but each inhale was irrupted but abrupt gasps. This was the third time this had […]

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Navigating the Unfulfilled Roads of ‘Drive Away Dolls

In “Navigating the Unfulfilled Roads of ‘Drive Away Dolls,'” R. Joseph Acosta delves into Ethan Coen’s latest film, highlighting its pacing issues, underdeveloped characters, and insincere arthouse aesthetics. Despite a promising cast and premise, Acosta finds the film feels like a first draft, with a rushed conclusion that leaves much to be desired in this road trip comedy.

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Reviewing the Song of the Month: Red Wine Supernova

“Red Wine Supernova” by Chappell Roan is a spellbinding track that merges pop with ethereal tones, showcasing Roan’s unique voice and storytelling prowess. With its vivid imagery and emotional depth, the song navigates themes of love, identity, and liberation. Roan’s artistry shines, making “Red Wine Supernova” a standout piece that bridges musical traditions and captures the essence of contemporary pop with a deeply personal touch.

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Can’t Find What Doesn’t Exist – Christopher Moltisanti’s Elusive Arc

I’ve watched “The Sopranos” a lot. You won’t find me saying that I’ve seen it too much but some would say it’s getting pretty close. Let’s talk about it.  Spoilers ahead for a 25 year old show.  “The Sopranos,” renowned for its intricate character studies and psychological depth, masterfully uses Christopher Moltisanti’s journey to critique

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Pissing into the Abyss: Reviewing a Featured Post

Diving deep with a razor-sharp wit, this review unravels the complex tapestry of today’s television landscape, critiquing its creative barrenness amidst a sea of streaming platforms. It lambasts the industry’s profit chase, highlights the writer’s strike’s impact, and calls for a rebirth of storytelling integrity. A must-read for those yearning for a clever take on why TV’s golden age feels like a distant memory.

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Reviewing the Song of the Month: Feb. 2024

“Prove It To You” by Brittany Howard is a masterful blend of soul, rock, and blues, showcasing her unparalleled vocal prowess and deep emotional honesty. Drawing comparisons to legends like Aretha Franklin and Janis Joplin, Howard’s song is both a continuation and an evolution of her artistry. With poignant lyrics and a sophisticated arrangement, it’s a testament to her place among contemporary music’s most impactful voices.

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“Harmony Across Generations: A Personal Reflection on Cat Stevens’ ‘Father and Son'”

In “Harmony Across Generations,” a young adult delves into the timeless appeal of Cat Stevens’ “Father and Son,” exploring the song’s profound narrative on familial bonds and personal growth. Through personal anecdotes and reflective insights, the piece navigates the emotional complexities of the father-son dynamic, highlighting the song’s role as both a musical masterpiece and a conduit for understanding and empathy between generations. This review not only celebrates Stevens’ folk classic but also uncovers its enduring relevance in the journey of self-discovery and familial relationships.

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assorted guitar amplifier lot

Living with Silent Screens

Allston Alexander delves into the current state of the television industry, highlighting a unique and unsettling quietness that pervades the landscape. He notes that, contrary to a lack of content, there is a vast array of options available for viewers. However, what’s missing is the buzz and excitement in cultural conversations that previously surrounded new TV shows. Alexander recalls times when discussions about television were lively and engaging, a stark contrast to the current subdued environment.

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brown chairs in front of white wall

Bicycle Thieves: A Retrospective

R. Joseph Acosta delves into the profound impact of Vittorio De Sica’s ‘Bicycle Thieves’ on cinematic storytelling. It highlights De Sica’s innovative technique of delaying character and object introductions, creating suspense and deepening audience engagement. The film’s opening and closing sequences are examined as reflections of the human condition, emphasizing the themes of struggle, vulnerability, and resilience. This review celebrates ‘Bicycle Thieves’ as a cornerstone of neorealism, shaping modern filmmaking with its authentic portrayal of life and societal challenges.

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Defending Downtown Rochester, NY: The First Part

As described on its Instagram page (@nativerochester), Native is “casual upscale dining in the heart of Rochester, NY”. I came in hungry but with no expectations at all, and I found the experience to be a pleasant piece of evidence validating my strong belief that people are really missing out on some cool things by writing off the downtown area. 

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Reviewing the Rochester Food Scene: Day One

Since I’ve already eaten an impressive number of Wegmans bagels in the last month, it’s time to widen my horizons and discover the greater Rochester food culture.  Fresh off of three years in Portland, Maine, a notoriously foodie city, I have had a sense that the mission to locate new favorite restaurants might be an uphill battle, but I will not be deterred. 

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